Saturday, July 4, 2020

George Floyd (feat. Rahsaan Barber & Roland Barber)


"We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness. That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness." - The Declaration of Independence - July 4, 1776


It's been almost six weeks since we've witnessed the brutal murder of George Floyd. And since then there have been more murders of Black people at the hands of police and some very suspicious occurrences that look a lot like LYNCHINGS in Southern California. I've had several conversations with other white people who are unwilling to move beyond, "yeah, but ALL lives matter"... Well, I am an artist and I feel it is my responsibility to use my art as a weapon against injustice, to question norms, to provoke thought, introspection, and conversation, and lastly to entertain, soothe or distract. I am beyond angry. I am out of patience. I have been hearing and singing We Shall Overcome, Eyes On The Prize, A Change Is Gonna ComePeople Get Ready, etc...since I can remember, all the while recognizing the brutal hypocrisy of my own privilege.

The list of grotesque atrocities perpetrated on Black people in the United States of America is all the evidence we need to prove the case that Black Lives are NOT valued equally, and have never been. So the people have again rightfully taken to the streets in anger, because we all witnessed George Floyd slowly MURDERED by a white police officer while three other officers chose to stand by instead of de-escalating a fatal and unnecessary outcome. And then, if that wasn't enough trauma, we've since watched The President of the United States shamefully encourage more hatred, divisiveness and violence. I pray that this time we will not go home, fall back into our slumber of convenience and consumerism...the time for action is NOW. George Floyd needs to be the period at the end of the sentence. We need to stay woke and wake up anyone that is still sleeping. And that is why, I offer George Floyd (feat. Rahsaan Barber & Roland Barber) as an artistic expression of my anger, sadness, frustration, disgust, impatience, exhaustion, bewilderment, anxiety, ad nauseum.

I'd like to thank my good friend, John Deaderick, for hipping me to Saxophonist Rahsaan Barber and his brother, Trombonist Roland Barber, who brought the melody and emotion to this track. And Drummer Derrek Phillips for masterfully bringing the pulse and anger as well as putting me in contact with the Barber Brothers. I played bass and guitar, hopefully evoking the struggle as I've witnessed it in my lifetime. I'd also like to thank Matt Winegar for mixing and mastering and, as always, Brian Brinkerhoff for instigating.

There are a lot of organizations that need financial support right now as well as "thoughts and prayers" and social media posts. 100% of the proceeds from this release will benefit M4BL Movement for Black Lives.

Tuesday, June 23, 2020

Enough Is Enough (feat. James Armstrong)


I'm writing this two weeks after the murder of George Floyd. We all know that this shit goes on all the time and that being Black in America is dangerous, to say the least. I pick the order of releases like a DJ picking records on a show. It's a playlist. And hopefully if you listen in chronological order by release date it flows. So, Oz Noy was last and I thought okay, let's bring it back to the roots, seeing this is a blues series...so I cull through the 135 unreleased mastered tracks that we currently have and I come to James Armstrong and it speaks to me. It hits me not just because it is a more traditional blues number, it's soulful, understated, classic, it is all of the above...but it also strikes a strong but melancholy chord, without words it says that thing that we all know, that life as a Black person in America is and has always been dangerous and systematically unfair. Then, coincidentally, I see James has posted a video on Facebook telling his Truth in response to George Floyd's murder sharing just a few of the countless injustices that he (James) has experienced at the hands of law enforcement. And I just keep hearing the words "enough is enough" in my head. No explanation necessary, right? So, after checking in with James to make sure that he was cool with me titling the track Enough Is Enough (considering the context I wanted to err on the side of thoughtfulness and consideration), here it is.

There are a lot of organizations that need financial support right now as well as "thoughts and prayers" and social media post. Please put your money where your good intentions are:



I normally take this space for a little blurb / bio about our featured soloist but, today I would just like to share a link to that video of James' and a link to James' bio page because his story is really a story of survival in its most literal sense. I am also including a link to a resource page from Black Lives Matter on how you can help support the ongoing struggle. We must not let up.

https://www.facebook.com/1326987983/videos/10217296159579138/?id=1326987983

http://jarmblues.com/james-armstrong-biography/

https://blacklivesmatters.carrd.co/

The backing band on this track is Rich Kirch (John Lee Hooker 1984-2001) on rhythm guitar, Alvino Bennett (Dave Mason, Stevie Wonder) on drums and myself on bass. The track was recorded at Skunkworks in Capitola CA. Mixed by the Grammy winning Godfather of Grunge, Jack Endino (Nirvana, Nando Reis) and as always, masterfully mastered by Alex McCollough at True East Mastering. 

Tuesday, June 9, 2020

Revolution Blues (feat. Oz Noy)


#65 in The Need To Know Badass Blues Instrumentals Series, Revolution Blues, features the wonderfully irreverent guitar playing of Oz Noy. By his mid twenties Oz was the king of guitars in his home country of Israel so, with little left to prove there, he headed to NYC. Gaining almost immediate notoriety for his rule breaking approach to Jazz, Oz enlisted the heaviest of heavies to accompany him. Will Lee, Reggie Washington, Vinnie Colaiuta, Dave Weckl are just some of the "cats" that have been Oz's regular sidemen for 10 albums over the last 25 years. He continues to dominate reader's polls and critic's choice lists and the list of artists that he has played with is truly insane! I couldn't decide who to list so, here is a link to his bio: http://www.oznoy.com/biography/ Enjoy! And just a note: I titled and uploaded this track several months ago...I had no idea just how relevant it would be.

There are a lot of organizations that need financial support right now as well as "thoughts and prayers" and social media post. Please put your money where your good intentions are:


The backing band on this track is Rich Kirch (John Lee Hooker 1984-2001) on rhythm guitar, Deszon Claiborne (Robben Ford) on drums and myself on bass. The track was recorded at Skunkworks in Capitola CA. Mixed by the Grammy winning Godfather of Grunge, Jack Endino (Nirvana, Nando Reis) and as always, masterfully mastered by Alex McCollough at True East Mastering. 

Tuesday, May 26, 2020

Valle de la Luna (feat. Jeff Coffin)


#64 in The Need To Know Badass Blues Instrumentals Series, Valle de la Luna, features the virtuosic saxisms of Jeff Coffin. A three time Grammy winner as a member of Bela Fleck & The Flecktones and a member of The Dave Matthews Band since the passing of LeRoi Moore, Jeff is a musical overachiever. He's a North Texas grad, an NEA grant recipient and a student of the great Joe Lovano. In his "spare" time he leads his own band, the always interesting, Mu'Tet, and is on the faculty of the Blair School of Music at Vanderbilt University. Enjoy the ride!

The backing band on this track is Rich Kirch (John Lee Hooker 1984-2001) on rhythm guitar, Alvino Bennett (Dave Mason, Stevie Wonder) on drums and myself on bass. The track was recorded at Skunkworks in Capitola CA. Mixed by the Grammy winning Godfather of Grunge, Jack Endino (Nirvana, Nando Reis) and as always, masterfully mastered by Alex McCollough at True East Mastering. 

Tuesday, May 12, 2020

Blues Supreme (feat. Dennis Jones)


#63 in The Need To Know Badass Blues Instrumentals Series, Blues Supreme, is a kneeling at the alter of sonic reverence featuring the searing guitar playing of Dennis Jones. Originally from Baltimore, now residing in Los Angeles, Dennis proudly lists his influences as Jimmy Page, Jimi Hendrix & Billy F Gibbons. And this is probably why I felt an immediate kinship with Dennis as he sat in the studio tearing this track up. Dennis lived and played in Europe as a teenager, did a stint with the BusBoys in the early 00's and won the International Blues Competition, Memphis, 2004, as part of the Zac Harmon Band (another of our featured artists yet to be released). Since then Dennis has released 6 albums and continues to tour the world with his trio, the Dennis Jones Band. Let your freak flag fly and enjoy!

The backing band on this track is Rich Kirch (John Lee Hooker 1984-2001) on rhythm guitar, Alvino Bennett (Dave Mason, Stevie Wonder) on drums and myself on bass. The track was recorded at Skunkworks in Capitola CA. Mixed by the Grammy winning Godfather of Grunge, Jack Endino (Nirvana, Nando Reis) and as always, masterfully mastered by Alex McCollough at True East Mastering. 

Thursday, April 30, 2020

Bluesadelphia (feat. James Poyser)



#62 in The Need To Know Badass Blues Instrumentals Series, Bluesadelphia, features the Grammy winning writer, multi-instrumentalist, and producer, James Poyser. Born in the UK but very much rooted in the Neo-Soul / Philly Sound movement of the last 25 years or so, James has been a member of the band The Roots since 1997 (see what I did there?). If that isn't credentials enough, James has a very impressive (and long) resume; Adele, Jay-Z, Aretha Franklin, Eric Clapton, John Legend, D'Angelo, Erykah Badu, Lauren Hill, Norah Jones...you get the idea. I met James while working on Norah Jones' The Fall and was immediately enamored with his sympathetic and deep musicality and we are grateful to have him guesting on this track. We hope it brings you a few minutes of much needed chill in these currently anxious times.

The backing band on this track is Rich Kirch (John Lee Hooker 1984-2001) on rhythm guitar, Alvino Bennett (Stevie Wonder) on drums and myself on bass. The track was recorded at Skunkworks in Capitola CA. Mixed by another Grammy winner, the very bearded, Rob Schnapf (Beck, Booker T., Mavis Staples) and as always, masterful mastering by Alex McCollough at True East Mastering. 

Tuesday, April 14, 2020

Ritual (feat. Jackie Venson)



#61 in The Need To Know Badass Blues Instrumentals Series, Ritual, features yet another Austin, Texas voodooist, Jackie Venson. Jackie is chill personified. She showed up, plugged in, closed her eyes and without ever hearing the track before, did this. The daughter of a professional musician, Jackie knew exactly what she was getting into and at just thirty years old, with three albums, three EP's and a bunch of singles (one of which we will be releasing on vinyl at a later date) under her belt, I'd say the gettin's been good so far. I'm sure once it is safe again to venture out, Jackie will be back on the road delivering what the Chicago Sun-Times calls "formidable instrumental chops and a musical message of positivity" and "a singing voice that radiates warmth and spirit". 

The backing band on this track is Rich Kirch (John Lee Hooker 1984-2001) on rhythm guitar, Andrew "the kid" Guterman (Rick Estrin) on drums and myself on bass. The track was recorded at Skunkworks in Capitola CA. Mixed at Shangri-La by Duane Lundy (Ringo Starr) and as always, masterfully mastered by Alex McCollough at True East Mastering.

Tuesday, March 31, 2020

End Times Blues (feat. Gary Myrick)



#60 in The Need To Know Badass Blues Instrumentals Series is the self explanatory, End Times Blues, featuring the ominous "tone for days" of Texas born guitarist, Gary Myrick. Gary started his career replacing Stevie Ray Vaughan in the Austin Texas band, Krackerjack, after Stevie Ray decided to give a solo career a shot. It wasn't long before Gary moved to LA and began his own solo career with Gary Myrick and The Figures. They had several charting albums and a couple of MTV hits (remember those?). And speaking of MTV hits...around this same time, Gary played on the smash John Waite "Missing You" album. In the early 90's, Gary formed Havana 3am with Clash bassist Paul Simonon and continued for several records even after Simonon left and singer Nigel Dixon passed away. By the mid 00's, Gary had become one of the LA Cats, playing with the likes of Big Audio Dynamite, Jackson Browne, The Eagles, Steve Jones, Wilson Pickett, Queen Ida, Bonnie Raitt, Todd Rundgren, Brian Wilson and Stevie Wonder to name a few. Gary is currently working on a new Figures album. Here's the link to his GoFundMe page: https://www.gofundme.com/manage/new-studio-album-gary-myrick


The backing band on this track is Rich Kirch (John Lee Hooker 1984-2001) on rhythm guitar, Alvino Bennett (Dave Mason) on drums and myself on bass. The track was recorded at Skunkworks in Capitola CA. A new addition to the team, the Grammy winning and very bearded, Rob Schnapf (Beck, Booker T., Mavis Staples) brings his mad mixing skills to this one. And as always, masterful mastering by Alex McCollough at True East Mastering. 

Thursday, March 19, 2020

Goin' Down Again (feat. Rick Richards)

#59 in The Need To Know Badass Blues Instrumentals Series, Goin' Down Again, features some of the snottiest guitar playing I’ve heard since the giants (The Kinks, The Yardbirds, The Stooges) roamed the planet. Georgia Satellites and Izzy Stradlin and the Ju Ju Hounds guitarist, Rick Richards, delivers a two minute and fourty second instructional on how to Rock! When I sent this track to Rick he could’ve declined or asked for another track that was in 4/4 instead of the crooked 3/4 that it is, but instead he dug the fuck in and turned it the hell up. I don’t know how old Rick is (old enough to have formed the Georgia Satellites in 1980) but, this is the kind of guitar playing normally excreted by youngsters and then dissipates as the years accrue. No signs of dissipation here. So, please do give yourself the pleasure of cranking this one up and enjoy the ride. 

The backing band on this track is Rich Kirch (John Lee Hooker 1984-2001) on rhythm guitar, Andrew "the kid" Guterman (Rick Estrin) on drums and myself on bass. The track was recorded at Skunkworks in Capitola CA. Mixed by the Grammy winning Godfather of Grunge, Jack Endino (Nirvana, Nando Reis) and as always, masterfully mastered by Alex McCollough at True East Mastering.

Tuesday, March 3, 2020

I Tell Myself (feat. Rudy Wallang)


Although Mumbai is not synonymous with the Blues (at least not yet), in Mumbai and most of India, guitarist Rudy Wallang is. And so we bring you #58 in The Need To Know Badass Blues Instrumentals Series, I Tell Myself, featuring Rudy WallangRudy is the 2009 recipient of the Jack Daniels Music Awards - Best Guitar Player in India. He and his band, Soulmate, have played every NH7 (the Glastonberry and Coachella of South Asia) since it's inception in 2010. As a composer, producer and session player, Rudy has been involved in over 70 records and yet he still manages to find time to mentor younger players via The Rudy Wallang Band. He and Soulmate continue to tour internationally sharing stages with the likes of Carlos Santana, Buddy Guy, Keb Mo & Gary Clark Jr., to name just a few. Check him out!

The backing band on this track is Rich Kirch (John Lee Hooker 1984-2001) on rhythm guitar, Alvino Bennett (Dave Mason, Stevie Wonder) on drums and myself on bass. The track was recorded at Skunkworks in Capitola CA. And Mixed and Mastered by the Grand Wizard of Greaseland, Christoffer "Kid" Andersen. 

Tuesday, February 4, 2020

The Longest Night (feat. Kim Bomi)



#56 in The Need To Know Badass Blues Instrumentals Series, The Longest Night, features a deeply soulful performance on a relatively novel instrument for our Western ears, the haegum, by the South Korean rock star, Kim Bomi. I was one of the more than one BILLION people who watched the incredibly powerful closing ceremonies of the 2018 Winter Olympics in Pyeongchang, when Kim Bomi and her band Jambinai rocked the world with their performance, accompanied by an orchestra of geomungo players. I was so excited and moved, they immediately became my new favorite band! After a lot of Googling, emailing and translating with the help of Jambinai's manager, Jerome Williams in Amsterdam, we were able to make this track happen. A beautiful example of the global village! In case you missed the performance at the olympics here's a link, but don't forget to listen to The Longest Night as well! Enjoy!

Jambinai - Time of Extinction (Olympic Closing Ceremony 2018)

The backing band on this track is Rich Kirch (John Lee Hooker 1984-2001) on rhythm guitar, Willy Jordan (Elvin Bishop) on drums and myself on bass. The track was recorded at Skunkworks in Capitola CA. Additional recording was done by Sanghyun Cho at MOL Studios, SeoulMixed by the Grammy winning Godfather of Grunge, Jack Endino (Nirvana, Nando Reis) and as always, masterfully mastered by Alex McCollough at True East Mastering. And a special shout out to my friend, Joey Fitt's, for making me turn on the tele to catch Jambinai!